Reading Tips

Reading (or 'engaging with text')

For many dyslexic students, the reading load they are given is a burden. There are very good ways to make this easier to handle. To a degree, it means making a change to your 'philosophy of reading'. However, if you would like to save time and stress with your reading-list-load, note the tips below.

Firstly, you don't have to read, cover to cover, everything your tutors tell you to. They might say otherwise, but you don’t. You may well need a familiarity with – an overview of – many texts, but you can obtain this without the grief of painfully reading every word of every sentence of every paragraph. A change to your approach can turn a painful and not very rewarding half-day into a satisfying twenty minutes. It really can make that much difference, but you have to adjust your approach and expectations.

Of course, if you want to read the whole thing, have the time and enjoy doing it, that's your choice. Good for you. This piece is written on the assumption that you don't want to or don't have the time or don't enjoy it.

Not all people learn in the same way. Some prefer to start with detail and move from that to the bigger picture. Some are better at beginning with the overview and proceeding in the other direction – to the detail. Reading is a 'detail to overview' process, but dyslexics tend to be better at 'overview to detail'. In fact, dyslexics often have a talent for understanding a subject – having a 'feel for' it – just by gaining a overview of it and, through a sort of intuitive process, 'getting it'.

Note that this is never enough if you have to write an essay on a subject. Although the ideas here are useful to begin to study an essay topic, detailed reading will always be needed (see Essay Writing). But this approach will be enough for preparing for a seminar, tutorial or lecture, or for just gaining a background understanding of a subject. And it can save huge amounts of time and energy.

So, how does a dyslexic obtain an overview of a text without reading 'every word of every sentence'? It's useful to bear in mind that information doesn't exist in the world in the way it's usually presented in academic writing. Out there 'all the things that there are to know' aren't ordered, analysed, put into chapters and expressed in formal sentences. Rather, they exist in a mish-mash of messily interconnected bits and pieces which someone then 'makes sense of' and writes in a book – according to their personal analysis and interpretation. The reader, therefore, should feel free to engage with the text in ways other than the 'start with word one, proceed to word two and so on' approach.

Before any engagement with the text, however, you should first make a mental – or written – note of what you expect/hope to learn from your session. Part of what it takes is to prepare yourself for absorbing the information. And always make notes as you engage with the text. Always write down the ideas you encounter that seem interesting or important – along with the book and page number. You don't want to have to back-track.

Then you should start at the front and the back of the text and work your way in. This is the 'Bookends' approach.

Skim over the contents and index of the book. Do you see anything interesting or relevant? Be confident of your ability to intuitively know this. You will have some familiarity with the topic, however superficial. Let this guide you. If nothing grabs your attention, perhaps you don't need to bother with this text.

If something does, go to that chapter/section. Read the first and last paragraph (or the introduction and the conclusion). Often, you won't need to do more than this to 'get' the subject. You probably don't have to know everything about it (see comment on essays, above). If you want to know more, read the first sentence of each paragraph. Or the first and last. For fun, and to see how this technique can work (and how information outside of academic texts is random and how you can engage with texts by reading them randomly) try reading the first sentence of each paragraph starting with the last paragraph and working towards the first. It really does work and can help free you from the 'tyranny of the text' – the feeling that you have to read in a conventional way.

For this approach to work, you must have faith in your ability to understand intuitively, through extrapolation (by latching on to significant aspects of a subject and more or less 'getting' the rest of it), and you must practise it. And it's OK to engage with a subject whilst knowing that you don't know everything – you don't always have to. Living with an amount of unknowns about a topic is part of this whole approach. And it's fine to do be in that position.

If texts are written well, they will usually introduce the subject of a book in the first chapter and give and overview of it in the last one. Likewise with chapters and their opening and closing paragraphs. Ditto (to a lesser but still useful extent) with paragraphs and their first and last sentences. You can use this to your advantage to help you save time and energy with your reading.

Good luck.

Essay Key Words

Key Words in Essay Titles

Account for: Explain why something happens; give reasons for it.

Analyse: Break down into its important parts and comment on. Examine in close detail; identify important points and chief features.

Comment on: Identify and write about the main issues, giving your reactions based on what you have read or heard in lectures. Avoid purely personal opinion.

Compare: Show how two or more things are similar. Indicate the relevance or consequences of these similarities.

Contrast: Show how two or more things are different. Indicate the relevance or consequences of these differences.

Critically Evaluate: Weigh arguments for and against something, assessing the strength of the evidence on both sides. Use criteria to guide your assessment of which opinions, theories, models or items are preferable.

Define: Give the exact meaning of. Where relevant, show that you understand why the definition may be significant.

Discuss: Describe the most important aspects of the topic (probably including criticism); give arguments for and against; consider the implications of.

Distinguish: Bring out the differences between two (possibly confusable) items.

Evaluate: Assess the worth, importance or usefulness of something, using evidence. There will probably be cases to be made both for and against.

Examine: Put the subject ‘under the microscope’, looking at it in detail. You may be asked to ‘critically evaluate’ as well. See 'Analyse'.

Explain: Make clear why something happens, or why something is the way it is.

Illustrate: Make something clear and explicit, giving examples or evidence.

Interpret: Give the meaning and relevance of data or other material presented.

Justify: Give evidence which supports an argument or idea; show why a conclusion or decisions were made, considering objections that others might make.

Narrate: Concentrate on saying what happened, telling it as a story.

Outline: Give only the main points, showing the main structure.

Relate: Show similarities and connections between two or more things.

State: Give the main features, in very clear English (almost like a simple list, but in sentences). 

Summarise: Draw out the main points only, omitting details or examples.

To what extent: Consider how far something is true, or contributes to a final outcome. Consider also ways in which the proposition is not true.

Trace: Follow the order of different stages in an event or process.

To contact the author Simon Hopper click here.

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Dyspraxia Checklist

Dyspraxia Checklist.

Dyspraxia is caused by an immaturity of the brain resulting in messages not being properly transmitted from the brain to the body.  It may help if you think of it as a problem with the internal wiring of the brain.  The incidence of Dyspraxia is approximately 2 people in 100 (2% of the population).  Within the group of people with this difficulty there is a spread, with some affected much more than others.  There is a much greater chance of males being affected, the male female split being 70% and 30% respectively.   As with any diagnosed condition, as educators or parents we always have to view things, not from the position of what is wrong, but from the standpoint of what works.  What strengths does the child have?  How can we teach this child?  To achieve a level of knowledge sufficient to teach the child and thus assist in the child maximising their development and potential we must ask questions.  Questions such as, when did the child show evidence of really engaging in a task?  When was the child put off by a task?  What was different about the two tasks?  It is only by the use of reflective and analytical teaching approaches that we will discover the way to teach any child who has special needs and difficulties.

As with any parent or teacher applied checklist, you are not making a diagnosis.  The diagnosis of Dyspraxia is a highly skilled task.  Please use this checklist to see if it seems to “fit” the child.  Not all Dyspraxic children will meet all the indicators.  If there does seem to be a good “fit” then it would be useful to refer the child to a professional who is in a position to provide an accurate assessment and diagnosis.  In the UK this is often done by an occupational therapist and/or a speech and language therapist.

Dyspraxia checklist.

  1. People describe the child as being clumsy, you suspect this is due to a weak sense of body awareness.

  2. The child has poor posture

  3. They may walk awkwardly.

  4. Laterality confusion, check this by: Asking which hand s/he writes with, which foot s/he takes kicks a ball with, ask them to look through a cardboard tube, which eye do they hold it up to?  Hand them your watch, which eye do they hold it up to?  Does everything happen with the same side or are

  5. some things done left sided and others right sided?

  6. The child may have difficulties throwing and catching, even with quite a large soft ball.

  7. You may notice that the child is much more sensitive to touch than other children.

  8. There may be objections to wearing some clothes and other routine events such as the application of plasters, having their hair brushed or teeth brushed because the child finds this uncomfortable.

  9. Parents and teachers may be frustrated or have noticed that the child forgets tasks learned the previous day or there is evidence to suggest that the child has a weak working memory (short term memory).

  10. There will probably be reading and writing difficulties

  11. There is a very strong chance that the child cannot hold a pen or pencil properly.

  12. Does the child have a weak sense of direction?

  13. The child has had real difficulties with or cannot hop, skip or ride a bike.

  14. The child was much slower than most children to learn to dress or feed themselves.

  15. Parents and teachers may have noticed there is a difficulty in answering simple questions even though they know the answers.

  16. There may be evidence of speech problems perhaps with the child being slow to learn to speak or speech may be difficult to understand.

  17. It is possible that the child has a difficulty with phobias and perhaps obsessive behaviour.

  18. The child may be frustrated and impatient more than one would expect for a child of their age.

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Mind Mapping (spider Diagrams)

Mind mapping or spider diagrams are a very useful way of recording information.  It is a useful revision technique as well as being an excellent way of encouraging processing of information into chunks.  It is often recommended for children who experience writing difficulties.  Furthermore, it is a useful technique for children who have some form of language disorder, as the chunking of information helps them develop comprehension skills and assists in the formation of mental links. 

If you find it difficult to persuade your child's school to adopt this or other alternative methods of recording it may be helpful seek specialist advice from a specialist SpLD assessor. The resulting recommendations may prove helpful to the school and help facilitate changes that help the child fully access the curriculum.

Follow this link which demonstrates some good free mind mapping software. Further free mind-mapping software can be found here.

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1000 Most Common English Words

YEARS
BACK
THROUGH
MUCH
WHERE
YOUR
WAY
DOWN
SHOULD
BECAUSE
LONG
EACH
JUST
STATE
PEOPLE
THOSE
TOO
HOW
MR
LITTLE
GOOD
WORLD
MAKE
VERY
YEAR
STILL
SEE
OWN
WORK
MEN
DAY
GET
HERE
OLD
BETWEEN
BOTH
LIFE
BEING
UNDER
THREE
NEVER
KNOW
SAME
LAST
ANOTHER
WHILE
US
OFF
MIGHT
GREAT
STATES
GO
COME
SINCE
AGAINST
RIGHT
CAME
TAKE
USED
AMERICA
PRESSURE
PRIVATE
STARTED
DARK
GROUND
DR
EAST
NATURE
STAGE
FINALLY
KEPT
CALL
FATHER
NEEDED
VALUES
GREATER
EXPECTED
VIEW
THATS
EVERYTHING
SPACE
TEN
UNION
BASIS
SPIRIT
BROWN
REQUIRED
TAKING
COMPLETE
CONDITIONS
EXCEPT
HUNDRED
LATE
EASY
FORMER
FREEDOM
HELL
MEANING
OPENED
SHOT
SPRING
WAYS
WORKS
WRONG
FEAR
ORGANIZATION
PLANNING
SERIES
TERM
THEORY
ASK
EFFECTIVE
LEAD
MYSELF
RESPECT
STOPPED
WOULDNT
CLEARLY
EFFORTS
FORMS
GROUPS
MOVEMENT
PLANT
TRUTH
WORKED
BASED
BEAUTIFUL
CONSIDER
FARM
HORSE
HOTEL
MANS
NOTE
PRESS
SOMEWHAT
TREATMENT
ARMS
CHARGE
PLACED
APPARENTLY
CARRIED
FEED
HERSELF
HES
HIT
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LENGTH
NUMBERS
OPERATION
PERSONS
RADIO
REACTION
BORN
MANNER
OH
RECENTLY
RUNNING
APPROACH
CHIEF
DEEP
EIGHT
IMMEDIATELY
LARGER
PERFORMANCE
PRICE
SUN
COUPLE
DAILY
GUN
LIVED
MAIN
STOP
STRAIGHT
HEAVY
IMAGE
MARCH
OPPORTUNITY
TECHNICAL
TEST
UNDERSTANDING
WRITING
ADDITIONAL
BRITISH
DECISION
DESCRIBED
DETERMINED
EUROPE
FISCAL
NEGRO
PROGRESS
SERVED
WINDOW
CARS
CHARACTER
QUALITY
RELIGION


A
TO
MOST
OUR
BEFORE
MUST
MRS
PART
SCHOOL
THOUGHT
WENT
SAY
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UPON
EVERY
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WAR
DONT
DOES
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ONES
WROTE
HOURS
RETURN
SUPPORT
ATTENTION
HOUR
LIVE
PARTICULAR
RECENT
DATA
HOPE
PERSON
BEYOND
COMING
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MIDDLE
COLD
COSTS
ELSE
FORCES
HEART
MATERIAL
COULDNT
DEVELOPED
FEELING
FINE
STORY
INSIDE
LOST
READ
REPORT
RESEARCH
TWENTY
INDUSTRY
INSTEAD
MILES
SON
WALL
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AMOUNT
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MAKES
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DEFENSE
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PICTURE
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ACTUALLY
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MEDICAL
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REST
SORT
BOYS
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FLOOR
FOREIGN
TERMS
TRYING
INDEED
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CENT
DIFFICULT
SUBJECT
ESPECIALLY
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EARTH
MARKET
PAPER
PASSED
WALKED
BLUE
BRING
COUNTY
LABOR
STEPS
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ACCOUNT
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COMMUNIST
CORNER
DESIGN
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MOVING
POST
ACTIVITY
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PATTERN
POOL
POOR
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STAFF
TYPES
ACTIVITIES
AUDIENCE
CHOICE
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LATTER
LETTERS
NUCLEAR
OBTAINED
RETURNED
DEMOCRATIC
DOUBT
OBVIOUSLY
PARTS
PLANS
THIRTY
ESTABLISHED
FIGURES
FOOT
FUNCTION
INCLUDE
LEADERS
MASS
SAYING
STANDARD
STAY
ATTACK
CLOSED
DRIVE
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SPEAK
WAITING
WHATEVER
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FAITH
HOSPITAL
LANGUAGE
RACE
SEASON
WISH
BUILT
DESIGNED
DISTANCE
EFFECTS
EXTENT
GLASS
INCOME
LACK
PRODUCTS
AHEAD
ANALYSIS
CORPS
ELEMENTS
EXISTENCE
EXPECT
FIRM
MARRIED

RESPONSIBILITY
AND
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ME
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TURN
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BOOK
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PEACE
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MODERN
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LINES
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SCHOOLS
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WOMEN
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FOOD
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START
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ANSWER
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ISSUE
PURPOSE
SUDDENLY
WEEKS
WESTERN
NEEDS
STAND
YOURE
CONSIDERED
COUNTRIES
FALL
HAIR
LIKELY
NATION
LAY
SAT
CASES
COLOR
ENTIRE
FRENCH
HAPPENED
PAID
PRODUCTION
READY
RESULTS
SQUARE
DIFFERENCE
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INVOLVED
MEET
STEP
STOCK
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WILLIAM
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CLUB
LETTER
AID
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LOT
MONTH
PARTICULARLY
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POINTS
SENT
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INDUSTRIAL
SIZE
YES
BAD
BILL
CERTAINLY
EYE
IDEAS
TEMPERATURE
ADDITION
DEAL
DUE
METHOD
METHODS
MORAL
READING
DECIDED
DIRECTLY
NEARLY
NEITHER
QUESTIONS
RECORD
SHOWED
STATEMENTS
THROUGHOUT
ANYONE
PROGRAMS
TRY
ACCORDING
MEMBER
PHYSICAL
SCIENCE
SERVICES
SOUTHERN
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REMEMBER
SOVIET
STRENGTH
COMES
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VOLUME
POPULATION
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INTEREST
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SEEMED
WANT
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HELP
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MATTER
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TIMES
YORK
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COMPANY
FREE
EXAMPLE
HANDS
LOCAL
SHOW
HISTORY
WHETHER
ACT
EITHER
GAVE
DEATH
FEET
TODAY
ACROSS
BODY
PAST
QUITE
TAKEN
ANYTHING
FIELD
HAVING
SEEN
WORD
CAR
EXPERIENCE
IM
MONEY
REALLY
CLASS
WORDS

Dyslexia Tutor Writes About Self Esteem

Wise people say it is good to act to change the things you can change, accept the things you can't and even better to know the difference between the two.

You may be a parent or a teacher supporting a dyslexic child. You may be a dyslexic adult wondering how best to help yourself. If so, here is something to bear in mind. The single most important variable that affects the outcome of a person's life is self-esteem. Although prowess at academic and literacy skills is important – and can contribute to positive feelings – they are not more important than a healthy attitude to who and how you are.

A person who has weaknesses in some area of functioning but has good self-esteem is very likely to succeed, be happy and enjoy their life. They will find a way. A person with weak self-regard may lack courage and drive and even find it hard to take satisfaction in the things they do achieve.

When deciding on a course of action, therefore, ask the question; 'What will best strengthen self-esteem?' It might be working extra hard at those areas of dyslexic weakness, those academic, word-based, memory-for-detail, sequential, analytical things. Or it might not. Continuing to strive to get good at skills and activities that fall within ones areas of weakness may only serve to reinforce a feeling of 'I'm not good at stuff'. And that's bad for self-esteem. If someone is trying determinedly to improve, say, reading, writing, organisational or other skills and is consistently finding that they simply aren't very good at them, it might be better to try to find another attitude to the issue.

It’s worth bearing in mind that many skills that are prized in education are not valued in the same way beyond it. School is not the ‘real world’, the be-all and end-all – despite teachers sometimes seeming to believe it is. In the world after education 'getting the job done' is usually more important that doing it in a conventional way. In education, doing things 'according to the book' is usually what pupils are judged on as much as their outcomes.

Also, dyslexics often run into problems when they try to act as if they were not dyslexic instead of acting according to their particular strengths and weaknesses. They are often people who are good at finding their own idiosyncratic ways of doing things. Sometimes these are better than the 'normal' ways of doing them. Often it is an imposed procedure, someone else’s idea of how a task should be done, that is the issue for the dyslexic. It is good to look at tasks and ask what the required outcome is. Sometimes the dyslexic can find another way. And sometimes they don’t need to do it at all

So: act to change the things you can change. If you can improve in a particular skill area, it is good to do so – and good to get help from a dyslexia specialist if s/he can assist in this. This will strengthen self-esteem. But do learn to accept the things you can’t change. There comes a time when you should say; ‘I’m simply not so good at this, I’ll leave it to others to do – or find a way to do it that suits me’. 

This prevents positive self-esteem being damaged or negative self-esteem being reinforced.

And it is OK to be good at some things and not so good at others. Strive to develop a philosophy that distinguishes between those things you can get better at and those you don’t need to try to. Learn to judge yourself by your own values, not those of others. It is good for self-esteem. And self-esteem is the single most important variable that affects the outcome of a person's life.

 

Written by Simon Hopper

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Essay Planning and Briefs

Interpreting an essay brief and essay planning

Of all academic skills, the most valuable for a student is that of accurately interpreting course briefs. It's easy for a dyslexic to get this wrong and many have had the experience of receiving back a marked essay with a tutor's comment saying something like; 'Not quite what was asked for'. Students usually think that the weakness here is one of writing. It probably isn’t. It's normally one of interpretation and planning. Put differently, it's the work you do before you start writing that makes the difference between a good essay and a not so good one.

Remember that the title/brief is a menu of items that will earn you marks – if you follow it correctly. Here's an approach that will help. It may not be as easy as it seems at first but the technique is well worth mastering.

Work on the title: Take the essay title or brief, extract from it the key words or phrases (use a highlighter). Make sure that you have chosen a) all the key elements and b) the absolute minimum number of words possible. There should be a tension between these two requirements. It should make you think very hard about whether you need this or that word or phrase. If the process doesn't cause you some hard thinking, you may not be doing it right.

The exercise will be very different from one essay brief to another. It depends on how they are written. And we are assuming that the tutor has composed a title/brief that is an accurate reflection of what they require. It isn't always so. Also, you should take into account any additional requirements that the tutor has added verbally. S/he may say 'You should concentrate on X in the essay' or 'Don't spend too much time on the background issues'.

Creating a plan: Next, list these words/phrases. Your list should contain only words from the brief. Don't worry if you aren't completely sure of all of the elements at this stage. Spend some time arranging and rearranging the list until you have what looks like a plan for your essay. There isn't only one way to do this and you may have to spend time to find a result that 'works'. Some aspects of the brief may be repeated in different sections as necessary.

Add 'Introduction' to the start of the list and 'Conclusion' to the end. The introduction should have three sub-sections: overview of essay (in which the essay is 'described'); explanations and parameters (in which any aspects of the essay not clear from the title are explained, such as the student's decisions regarding content); preview of conclusion (which may start 'What this essay will show is...'). The conclusion has two main sections: overview of main arguments; concluding position including what is significant about it.

Now you should have a plan with, say, five or six sections. Depending on the detail in the brief, you may now need to add into the plan missing elements that you're aware of from your reading or lectures, etc.

Word-count: Allocate the word-count. The introduction and conclusion should each have roughly 10% of the words. Divide the balance according to your idea of where the emphasis should be. You will now have a series of separate sections of specific lengths that can be written more or less independently. All this should be done before any research – and definitely before any writing takes place.

Consider what your conclusion will say. You should certainly know this before you start to write. Think about the main significance of the subject – you'll also need to point this out.

Most students find that when they have done all of the above the task seems both clearer and more manageable.

What do I not know or understand? Now ask this question. Some students shy away from it, preferring to focus on what they do know, but it's always better to address this early in the process. The answers to the question are the areas that need to be researched first. Go to the course reading, your lecture notes. Speak to fellow students, your course tutor. You can't write your best essay unless you do this.

Bear in mind that what you will now have is a plan for your research as well as for your writing.

The 'verb': Also, learn to be clear what exactly the 'action' is that the essay requires. Most essay titles/briefs contain a main word/action/verb. It could be 'analyse', 'outline', 'describe', 'compare', 'contrast' or one of several others. (See Key Words in Essay Titles) They do not mean the same thing. Many students treat them as though they do. Or, often, they interpret all these words to mean 'write about' with little precision as to what this might mean.

Habits: When you practise all this for the first time what you are doing is creating a new habit. It's never easy to do this and your old ones will try to reassert themselves. Don't worry, it's normal. Just persevere and eventually you'll have a new habit – and better essays that actually answer the question that was set.

 

 

Key Words in Essay Titles

Account for: Explain why something happens; give reasons for it.

Analyse: Break down into its important parts and comment on. Examine in close detail; identify important points and chief features.

Comment on: Identify and write about the main issues, giving your reactions based on what you have read or heard in lectures. Avoid purely personal opinion.

Compare: Show how two or more things are similar. Indicate the relevance or consequences of these similarities.

Contrast: Show how two or more things are different. Indicate the relevance or consequences of these differences.

Critically Evaluate: Weigh arguments for and against something, assessing the strength of the evidence on both sides. Use criteria to guide your assessment of which opinions, theories, models or items are preferable.

Define: Give the exact meaning of. Where relevant, show that you understand why the definition may be significant.

Discuss: Describe the most important aspects of the topic (probably including criticism); give arguments for and against; consider the implications of.

Distinguish: Bring out the differences between two (possibly confusable) items.

Evaluate: Assess the worth, importance or usefulness of something, using evidence. There will probably be cases to be made both for and against.

Examine: Put the subject ‘under the microscope’, looking at it in detail. You may be asked to ‘critically evaluate’ as well. See 'Analyse'.

Explain: Make clear why something happens, or why something is the way it is.

Illustrate: Make something clear and explicit, giving examples or evidence.

Interpret: Give the meaning and relevance of data or other material presented.

Justify: Give evidence which supports an argument or idea; show why a conclusion or decisions were made, considering objections that others might make.

Narrate: Concentrate on saying what happened, telling it as a story.

Outline: Give only the main points, showing the main structure.

Relate: Show similarities and connections between two or more things.

State: Give the main features, in very clear English (almost like a simple list, but in sentences). 

Summarise: Draw out the main points only, omitting details or examples.

To what extent: Consider how far something is true, or contributes to a final outcome. Consider also ways in which the proposition is not true.

Trace: Follow the order of different stages in an event or process.

 

Written by Simon Hopper

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Relaxation Therapy

The use of a relaxation programme can be a very powerful instrument for change.  If you decide to use this technique, it is crucial that it is done at least six times per week.  It is a useful tool when dealing with children who are anxious, either generally, or in a specific context such as exam rooms.  It is useful when dealing with children who tend to present regular or occasional acts of extreme anger in the wrong context, and when anger is an inappropriate reaction to the offence if used as part of an anger management programme. 

 

As part of a conservative approach to the treatment of ADHD, or as part of a treatment programme that includes medication; it can be a crucial part of the overall intervention.  You can hear an example of how to deliver the script on this Youtube video. Use the script to make a recording for the child to use. The child should commit to engaging in this activity every day.  After one month the child will have become skilled at checking for tension in their body.  At this point, a cue is needed for the child to check themselves for tension such as a red dot on their watch.  If they do not wear a watch, then perhaps a mark on their school bag or for very young children a toy placed in the classroom in a place where they will tend to look fairly regularly.  Particularly with young children, active and regular intervention by the teacher and parent should be undertaken. Gently touching the child on the shoulder and saying "go floppy" is a useful technique for this.  Whenever the cue is heard or seen the child should take a moment to check themselves for tension and then let go of it.  After a period of time, approximately three to six months the child will be automatically checking themselves for tension and releasing it without the use of a prompt.  The use of the tape can then be stopped. Some children like to listen to the tape while laying on a bean bag, although this is fine, the activity is best done whilst sitting.

Should this intervention not produce the desired results, or if you feel your child needs a more complex intervention, it may be useful to seek advice.

Seek advice.        

Relaxation Script

Sit comfortably close your eyes and think of nothing. 

Now make your hands into fists, go on really squeeze those fists.  Feel that tight feeling,----- feel that tight feeling. ------ And now relax/go floppy. ----- Think of that lovely feeling of relaxation (or think of that lovely floppy feeling for younger children.) 

Make your hands into tight fists again and bring your hands up to touch your shoulders. Feel that tight feeling along your arms.  Feel the tight feeling and relax, think of that lovely feeling of relaxation (or think of that lovely floppy feeling.) 

Now relax your arms, let them hang loosely by your side.  Push your shoulders up and try and touch your ears.  Go on really push upwards. Feel that tight feeling in your shoulders.  Feel the tight feeling and relax, think of that lovely feeling of relaxation (or think of that lovely floppy feeling.) 

This time scrunch up your face.  Really scrunch up your face. Feel that tight feeling in you face and relax, think of that lovely feeling of relaxation (or think of that lovely floppy feeling). 

Now make your tummy muscles tight go on really tighten those muscles. Feel that tight feeling.  Feel the tight feeling and relax, think of that lovely feeling of relaxation (or think of that lovely floppy feeling.) 

Push your tummy forward this time, make your back arch, feel the tight feeling all along your back, feel that tight feeling and relax, think of that wonderful feeling of relaxation. 

Tighten the muscles in your legs, feel those muscles tightening, feel that tight feeling and relax. Feel that tight feeling along your arms.  Feel the tight feeling and relax, think of that lovely feeling of relaxation (or think of that lovely floppy feeling.) 

Now make yours toes into fists, really scrunch up those toes.  Feel that tight feeling.  Feel the tight feeling and relax, think of that lovely feeling of relaxation (or think of that lovely floppy feeling.) 

Take a deep breath hold that breath, feel that tight feeling in your lungs, feel the tight feeling now let the breath out slowly and feel all the tightness go away.   Think of that lovely feeling of relaxation (or think of that lovely floppy feeling.) 

Keep your eyes closed, we are going to check each part of your body to see if there is any tightness.  Think of your hands and arms if there is any tightness just let go of it.  Now check your shoulders, neck and face.  If you find any tightness just let go.  Check your back and shoulders, your legs and feet.  If you find any tension just let go.   

You should now be feeling wonderful and relaxed/floppy.  Just enjoy that wonderful feeling and when you feel ready open your eyes.

Reading With Your Child

General Tips for Reading Together

 

  • Allow your child to see you reading.

  • Read with expression; read slowly.

  • The more your child participates in the story, the greater the understanding.

  • Encourage your child to participate by asking open ended questions that make your child think, such as, "What would you do?"

  • Alternate reading with your child; take turns reading a page or chapter each.

  • Along with a read aloud time, plan an independent reading time also.

  • Keep plenty of reading materials around the house.

  • Involve your child in selecting books as much as possible.

  • Matching the right book with the right child takes time. Be patient!

  • Make sure that you, as the reader, enjoy the story.

  • If a story isn't working, STOP READING!

  • If your child finds reading more difficult, it can be harder to find books that they are interested in that they can also manage to read. Barrington Stoke books have high interest books based at different reading ability levels and are enjoyed by children with literacy difficulties such as dyslexia.

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Paired Reading

Paired reading

Paired reading is a very powerful technique, particularly with children who have lost confidence.  The pair comprises a skilled reader and a learner; they read the text together. When the learner wants to take over reading they give a signal, usually by tapping on the page. It is best to ask the learner what signal they would like to use. The essence of this technique is that the learner can decide when to read, it therefore follows that there should be no pressure, overt or covert, for the learner to read.  This will allow confidence to develop, as there is no fear of failure.  

This technique can also be used to allow access to reading material that would ordinarily be beyond the learner.

Process of Paired Reading

  1. Read along with the learner

  2. Adjust your speed so that you stay together.

  3. Repeat each misread word until the learner reads it correctly.

  4. Look for a prearranged signal to indicate the learner wants to read an easier section alone.

  5. Stop reading along when the learner gives the signal

  6. If the learner makes an error: say the word correctly, and read along again until the learner signals you to stop.

  7. Praise the learner frequently for correct reading

Follow this link to see a video demonstration of paired reading

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Origins Of Visual Stress (Meares-Irlen Syndrome)

A teacher in New Zealand, Olive Meares, was the first to provide a detailed written account of the spatial distortions affecting text being read by some individuals.  Olive Meares also reported that the effects she cited could be reduced or eliminated by the use of coloured paper or by using coloured plastic overlays; the overlay is placed over the text to be read.

A psychologist working in California, Helen Irlen, wrote a paper describing symptoms similar to Olive Meares.  Ms Irlen, named the effects as Scotopic Sensitivity or Irlen Syndrome.  The syndrome was one in which reading is impeded by distortions of print. She reported that the distortions were positively effected if text was viewed through a coloured filter or overlay.  Ms Irlen went further and established a protocol for screening for scotopic sensitivity and a system for dispensing coloured overlays as a result of the assessment.

There followed a period of time during which the scientific community discussed these findings with a great deal of skepticism.  Prof. Wilkins and colleagues of Essex University were amongst the first to apply scientific rigor to the study of scotopic sensitivity or Meares-Irlen Syndrome, as it had become known.  The Essex University team set up double blind placebo controlled trials and went on to establish a number of tools for screening for scotopic sensitivity and quantifying the effects of coloured overlays. 

In the past, specialist assessors and educational psychologists with special training were able to assess and provide a coloured overlay for use when reading. Now this is not recommended, and if there are symptoms of visual stress then an in-depth optometry assessment should be sought. This should include assessment of binocular vision (accommodation and convergence) disorders, and visual stress, in addition to the standard sight-test comprising refraction and ocular health assessment.

If you or your child is experiencing visual effects such as text wobbling, moving, flickering, blocking out, underlining, halo effects, head aches and/or a feeling of over brightness, then it would be useful to have a specialist optometry assessment. You can ask if your usual optician is able to offer this service, or follow this link to BABO who have a map of behavioural optometrists.

Observation, Checking A Child Is Accessing The Curriculum

This technique is primarily aimed at children who are not accessing the curriculum due to language difficulties.  You should, however, also be aware and take note of the child's propensity/ability to make appropriate use of peers for support and assistance as this may contribute to the evidence gathering process shedding light upon areas such as approach to learning, social skills and self esteem.

Usually I prefer to observe a child before they know who I am. This technique is usually used after some assessment which has lead to a hypotheses of some difficulty. At the very least it may be that the child is not comprehending the verbal learning environment very well for a range of reasons such as specific or general language problems.  You could use this technique for a child that has difficulties concentrating by being very overt and telling them that you are going to be looking to see how many questions they can answer if they concentrate.   Similarly this may be used just before a review is due to gather information to compare with a base line specified prior to your intervention.

You will need the observed session to have a strong verbal component; carpet time is often suitable.  You will be keeping one eye on the child and noting their behaviour, but you will also be noting down questions that can be asked about what is being taught, the story that is being read out etc. 

You will then be left with a series of age appropriate questions that relate to the 15 to 20 minute session that they have just taken part in.  You will also have some notes on the presenting behaviour. Was it restless? Helpless? Actively involved?  Below is an example layout with example questions:

Question Appropriate Answer Child's Answer
Who was asked to come to the front and talk about an award they got? Ben and Tom Ben and Tom
What did thy get the award for? Football Reading?
Your teacher read you a story, what was it about? Harry Potter looks at me for a clue no answer
Your teacher asked you all to tell your parents some things about sports day.  Can you tell me something she asked you to tell your parents? Next week on Wednesday, white shirt, will get letter later this week with details. They can come?

Naturally you would have a few more questions but you should get some ideas about their behaviour.  The little boy in this example is confirming our hypothesis gained from assessment or professional judgement: he has real difficulties processing the spoken word into usable information or remembering it once he has processed it.  You are now able to illustrate in your report the scale of the child's difficulties by detailing the questions asked and the responses.  You may wish to ask other members of the class the same questions to develop a contrast between the target child and peers.

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Advanced Observational Techniques (use of a control pupil)

Once you have got the hang of observing using the methods suggested in the previous paper on basic observation techniques, you may wish to strengthen your reports or evidence gathering with a comparison to other members of the class.   This technique involves the observer making a primary observation on the target child using the same methodology advocated in basic observation.  However, after the target child has been observed, the observer will make a secondary and nearly simultaneous observation by quickly looking at the control child (a child selected at random from within the same class) and note what they are doing.  Thus an observation record would look something like this:

Time           Target Child                                    Control Child                        
 10.00  Fiddle with pencil case 30 sec. LA 10 sec. Talk 20 sec.  OT
 10.01  Talk 30 sec. W 30 sec, talk to blonde girl  OT, talk 10 sec.
 10.02  W 40 sec talk to blonde girl T> sit down, to seat  OT >T for help
 10.03  LA 10 sec, talk 30 sec T> stern look. OT 20 sec  With T, OT
 10.04  W 40 sec girl red jumper T> warn, OT 10 sec  OT
 10.05  OT 20 sec, talk40 sec  OT
 10.06  T> final warn, argue 60 sec.  OT, Talk 15 sec, to pencil sharpener

OT =  on task
LA = look around
W = wander around classroom
T> = teacher instigates interaction with target pupil
>T = pupil instigates interaction with teacher

You are now able to report in a more professional way that the target child was, for instance, on task (OT) for 60 seconds (control 5 minutes plus) and engaged in the following restless and off task behaviours: talking 3 minutes 10 seconds (control 10 seconds), wandering 3 minutes 30 seconds (control 0 seconds), teacher needed to approach pupil 4 all disciplinary in nature escalating from non verbal to final warning (control  one approach to Teacher for help).

You will note that the control pupils behaviour is notably different from that of the target child.  The use of a control has made the behaviour of the target child more notable due to the contrast.  By using a control you have also made a point with regard to the behaviour of the rest of the class, it is very good if surmised from the above.  However, you may be asked to report on a child who is in a very noisy class, use of a control may highlight the need for a whole class approach due to the behaviour of the control which may be nearly as poor as the target child. 

You may wish to note in your report onhow the control was selected.  Did you choose them at random? Or did you ask the teacher to point out an average child.  Personally I have usually gone for a child with similar coloured and styled hair or a similar jumper.  There is no science in this and once or twice I have selected a child that also has difficulties, however this soon becomes apparent and you can switch control very easily.  I prefer to be able to report that I selected the control at random using hair colour in my reports rather than report that the control was selected by the teacher because I feel that it adds credibility.

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Observation In Playground And Classroom

Classroom and Playground Observation

There are books and chapters in books and no doubt countless pages on the internet describing various techniques for undertaking this part of a child’s assessment. Over the years I have practiced, I must have looked at hundreds of examples. For a parent or teacher seeking information on observation techniques it must seem very confusing. The following techniques are the methods I have settled on and used successfully for years; both are very simple. I always use both techniques sometimes in sequence but more often in tandem. If you are new to observation I would suggest doing them in sequence, you will naturally begin to use them in tandem as you gain experience. All you need is a note pad a pen and a watch.

Minute by minute observation:

I tend to do a 20-minute observation using this technique. You need to establish some codes for yourself. Some codes you will use for every observation, other codes you will need to generate as the child presents particular behaviors. For instance >T means child approaches teacher, whilst T> means teacher approaches child. I tend to embellish this with a note as to the reason for the approach, teach, help, reprimand for example. If the child makes animal noises, I might code this as AN – Dog. If the activity changes note this down and carry on with the observation

Here are some of my regular codes:

· >T help = Child approaches teacher you can note why if you wish.

· T> teach = Teacher approaches child to teach task individually

· W 20 sec sharpen pencil = The child wandered the classroom for 20 seconds and sharpened pencil

· OT 30 sec. = On task for 30 seconds

· Off T 60 sec. = Off task 60 seconds

· LA 20 sec = look around 20 sec.

These are just to give you some idea; it may be best if you figure out your own codes. You use codes to increase your head up observing time, the observation sheet does not have to be lovely and neat. Mine are only really decipherable by me, but I get a lot of head up observing time.

This observation technique will allow you to be very scientific. You will for instance be able to say that when a child is offered a pencil and paper task they will be off task for so many minutes in a 20 minute observation. You will be able to include in your report the noises the child made or the number and amount of time they spent wandering around the classroom. You will be able to baseline the most used off task behavior and use this as the data to measure any improvements against. When you look at the observation as a whole in a quiet moment you may see patterns.

Observation technique two

This technique is quite the opposite of the above technique. Here you simply clear your mind and watch the child in the learning context. I tend to note down what the set task is and if it changes note this, thus the set task note breaks up my notes. I tend to watch in five-minute blocks then write down anything I feel is relevant. I am looking for patterns of behaviour, friendships, alliances, evidence of relationships both individual and group. You are observing as a human not as a specialist, parent or teacher. No matter how odd your perception of what is happening note it down.

An example may look like this

A. Child Observation, Science. 2.2.99

Task: to watch teacher demonstrate an experiment to the whole class.

Seems keen and interested. Puts hand up to assist. No negative interaction between target child and peers or teacher. 15 min

Task: to copy notes about the experiment from the board.

Appears to look up at the board more frequently that the other children. Poor visual memory?

Gets on with task, no negative behaviors. 8 min.

Task: teacher does question and answer session to round off lesson.

Off task, pays little attention to teacher. Rarely makes eye contact with teacher, but seems to be trying to gain the attention of peers by engaging in various acts of silliness. He is not disruptive because the other children choose to ignore him. If they were bored or badly taught they may use him as a catalyst to disrupt the lesson. 5 min

Task, sit and listen to teacher rounding off the lesson. (Telling them what he has told them)

Much better but not looking at the teacher and not really on task but not seeking to be disruptive. 3 min

Footnote:
This is a real example. Subsequent assessment suggested this child did have a weak visual memory. However, this was not the problem. When I asked what the lesson was about, just as the teacher had done in the Q and A session the child shrugged shoulders and told me "don’t know". I had noted down some of the vocabulary used in various parts of the lesson and the child could offer good or fair definitions of the words related to the content of the lesson. The child therefore understood the lesson in its parts but not as a whole. We hypothesized that the child was not able to "chunk" information. We implemented a simple intervention using mind mapping and much improvement was made. At the time of my observation this child was at serious risk of being permanently excluded (expelled). This is no longer the case.

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Multisensory Teaching

Multisensory techniques for teaching reading

What is multisensory teaching?

Multisensory teaching is a way of teaching that uses more than one sense at a time. Using sight, hearing, movement, and touch gives children more than one way to connect with what they are learning. Multisensory learning can support children and adults in their learning, particularly those who struggle with their reading and maths development. Carry on reading to learn how to use multisensory teaching to support reading development.

Create a master list of tricky words

A master list should be kept of all the words the child has difficulty reading or spelling.  Two words should be selected to work on each day and no more.  The techniques described below should be used to practice these words. At the conclusion of the learning stage the child should be asked to read the word and to spell it when shown to him on a card.   They should be tested the next day, after one week, two weeks and a month and at that point if they have been correct at every stage the word will have become high frequency.  It can then be pinned on to a notice board where friends and relatives can see it and the child can show off their newly acquired reading and spelling skills to receive some well deserved praise.

Sensory writing

A selection of trays should be purchased, along with play/coloured sand, shaving foam and dry ingredients such as rice, lentils, beans, etc.  Some magnetic plastic letters, a scratchy chalk board and chalk, some plasticine and a large squeaky non-permanent felt tip should also be purchased.  

The first word is selected and the child should write this word in the sensory trays with their finger. This allows children to use sight, touch and sound to make a link between the letter shape and the sound it makes. The child should say each letter sound as they write it, and then say the finished word at the end by blending together each sound.

Air and board writing

Next, the child should write the word in the air using their fingers and use chalk and/or a dry wipe marker to write down the words. There are many other ways to write the word to keep the session interesting, such as typing the word, running/walking the shape of the word or using legs/arms to trace the shape of the word.

Magnetic letters for word building

The child can then make the word with magnetic letters. The child should say each letter sound as they lay down the magnet, and then they can blend the sounds together to form the whole word at the end.

Plasticine writing

If further support is needed to help the child link each sound to the letter, they can make each letter with plasticine.

Sandpaper letters

Letters cut out of sandpaper can help children hold on to tactile (touch) memory of letters and their sounds. The child should trace each letter with their finger while saying the sound of the letter out loud. They can feel the shape of the letters as they write.

Kids can also arrange sandpaper letters on a table to spell out words. They can then lay a piece of paper on top of the sandpaper letters and colour over the letters to create a rubbing. Again they should repeatedly say the letter sound of the letter they are focussing on, and blend them together at the end.

Read it, build it, write it

This technique requires the child to have a piece of paper with three boxes on it, labelled “Read,” “Build,” and “Write.” They also have cards with the words they are focussing on learning, magnetic letters, and a felt-tip pen. The child first reads the sight word that’s in the “Read” box together with the person supporting them. Then they should build the word in the “Build” box, using their letters. Finally, the child should practice writing the word in the “Write” box.

Tapping sounds and using poppits for sounds

Tapping or pushing down a bubble on a poppit toy gives children a feel for how sounds are segmented and blended to make words. The child should tap their fingers or push down the bubble on a poppit for each sound in the word they are focussing on, and then blend the sounds together at the end.

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Mind Mapping (spider Diagrams)

Mind Mapping (Spider Diagrams)

Mind mapping or spider diagrams are a very useful way of recording information.  It is a useful revision technique as well as being an excellent way of encouraging processing of information into chunks.  It is often recommended for children who experience writing difficulties.  Furthermore, it is a useful technique for children who have some form of language disorder, as the chunking of information helps them develop comprehension skills and assists in the formation of mental links. 


If you find it difficult to persuade your child's school to adopt this or other alternative methods of recording it may be helpful seek advice from an Educational Psychologist. The resulting recommendations may prove helpful to the school and help facilitate changes that help the child fully access the curriculum.

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List Of Nouns

Using a list of nouns when children are beginning to read is helpful in making teaching easier. Nouns are one of the first parts of speech that children learn when they begin to read. Use the following list of nouns for each age group to help your child learn about the ideas things, people and places that surround them.

Year R
ball
bat
bed
book
boy
bun
can
cake
cap
car
cat
cow
cub
cup
dad
day
dog
doll
dust
fan
feet
girl
gun
hall
hat
hen
jar
kite
man
map
men
mom
pan
pet
pie
pig
pot
rat
son
sun
toe
tub
van

Year 1
apple
arm
banana
bike
bird
book
chin
clam
class
clover
club
corn
crayon
crow
crown
crowd
crib
desk
dime
dirt
dress
fang
field
flag
flower
fog
game
heat
hill
home
horn
hose
joke
juice
kite
lake
maid
mask
mice
milk
mint
meal
meat
moon
mother
morning
name
nest
nose
pear
pen
pencil
plant
rain
river
road
rock
room
rose
seed
shape
shoe
shop
show
sink
snail
snake
snow
soda
sofa
star
step
stew
stove
straw
string
summer
swing
table
tank
team
tent
test
toes
tree
vest
water
wing
winter
woman
women

Year 2
alarm
animal
aunt
bait
balloon
bath
bead
beam
bean
bedroom
boot
bread
brick
brother
camp
chicken
children
crook
deer
dock
doctor
downtown
drum
dust
eye
family
father
fight
flesh
food
frog
goose
grade
grandfather
grandmother
grape
grass
hook
horse
jail
jam
kiss
kitten
light
loaf
lock
lunch
lunchroom
meal
mother
notebook
owl
pail
parent
park
plot
rabbit
rake
robin
sack
sail
scale
sea
sister
soap
song
spark
space
spoon
spot
spy
summer
tiger
toad
town
trail
tramp
tray
trick
trip
uncle
vase
winter
water
week
wheel
wish
wool
yard
zebra

Year 3
actor
airplane
airport
army
baseball
beef
birthday
boy
brush
bushes
butter
cast
cave
cent
cherries
cherry
cobweb
coil
cracker
dinner
eggnog
elbow
face
fireman
flavor
gate
glove
glue
goldfish
goose
grain
hair
haircut
hobbies
holiday
hot
jellyfish
ladybug
mailbox
number
oatmeal
pail
pancake
pear
pest
popcorn
queen
quicksand
quiet
quilt
rainstorm
scarecrow
scarf
stream
street
sugar
throne
toothpaste
twig
volleyball
wood
wrench

Year 4
advice
anger
answer
apple
arithmetic
badge
basket
basketball
battle
beast
beetle
beggar
brain
branch
bubble
bucket
cactus
cannon
cattle
celery
cellar
cloth
coach
coast
crate
cream
daughter
donkey
drug
earthquake
feast
fifth
finger
flock
frame
furniture
geese
ghost
giraffe
governor
honey
hope
hydrant
icicle
income
island
jeans
judge
lace
lamp
lettuce
marble
month
north
ocean
patch
plane
playground
poison
riddle
rifle
scale
seashore
sheet
sidewalk
skate
slave
sleet
smoke
stage
station
thrill
throat
throne
title
toothbrush
turkey
underwear
vacation
vegetable
visitor
voyage
year

Year 5
able
achieve
acoustics
action
activity
aftermath
afternoon
afterthought
apparel
appliance
beginner
believe
bomb
border
boundary
breakfast
cabbage
cable
calculator
calendar
caption
carpenter
cemetery
channel
circle
creator
creature
education
faucet
feather
friction
fruit
fuel
galley
guide
guitar
health
heart
idea
kitten
laborer
language
lawyer
linen
locket
lumber
magic
minister
mitten
money
mountain
music
partner
passenger
pickle
picture
plantation
plastic
pleasure
pocket
police
pollution
railway
recess
reward
route
scene
scent
squirrel
stranger
suit
sweater
temper
territory
texture
thread
treatment
veil
vein
volcano
wealth
weather
wilderness
wren
wrist
writer

General List of Common Nouns
account
achiever
acoustics
act
action
activity
actor
addition
adjustment
advertisement
advice
aftermath
afternoon
afterthought
agreement
air
airplane
airport
alarm
amount
amusement
anger
angle
animal
answer
ant
apparatus
apparel
apple
apples
appliance
approval
arch
argument
arithmetic
arm
army
art
attack
attempt
attention
attraction
aunt
authority

babies
baby
back
badge
bag
bait
balance
balloon
ball
balls
banana
band
base
baseball
basin
basket
basketball
bat
bath
battle
bead
beam
bean
bear
bears
beast
bed
bedroom
beds
bee
beef
beetle
beggar
beginner
behavior
belief
believe
bell
bells
berry
bike
bikes
bird
birds
birth
birthday
bit
bite
blade
blood
blow
board
boat
boats
body
bomb
bone
book
books
boot
border
bottle
boundary
box
boy
boys
brain
brake
branch
brass
bread
breakfast
breath
brick
bridge
brother
brothers
brush
bubble
bucket
building
bulb
bun
burn
burst
bushes
business
butter

cabbage
cable
cactus
cake
cakes
calculator
calendar
camera
camp
can
cannon
canvas
cap
caption
car
card
care
carpenter
carriage
cars
cart
cast
cats
cattle
cat
cause
cave
celery
cellar
cemetery
cent
chain
chair
chairs
chalk
chance
change
channel
cheese
cherries
cherry
chess
chicken
children
chin
church
circle
clam
class
clock
clocks
cloth
cloud
clouds
clover
club
coach
coal
chickens
coast
coat
cobweb
coil
collar
color
comb
comfort
committee
company
comparison
competition
condition
connection
control
cook
copper
copy
cord
cork
corn
cough
country
cover
cow
cows
crack
cracker
crate
crayon
cream
creator
creature
credit
crib
crime
crook
crow
crowd
crown
crush
cry
cub
cup
current
curtain
curve
cushion 

dad
daughter
day
death
debt
decision
deer
degree
design
desire
desk
destruction
detail
development
digestion
dime
dinner
dinosaurs
direction
dirt
discovery
disgust
distance
distribution
division
dock
doctor
dog
dogs
doll
dolls
donkey
disease
discussion
door
downtown
drain
drawer
dress
drink
driving
drop
drug
drum
duck
ducks
dust

ear
earth
earthquake
edge
education
effect
egg
eggnog
eggs
elbow
end
engine
error
event
example
exchange
existence
expansion
experience
expert
eye
eyes

face
fact
fairies
fall
family
fan
fang
farm
farmer
father
father
faucet
fear
feast
feather
feeling
feet
fiction
field
fifth
fight
finger
finger
fire
fireman
fish
flag
flame
flavor
flesh
flight
flock
floor
flower
flowers
fly
fog
fold
food
foot
force
fork
form
fowl
frame
friction
friend
friends
frog
frogs
front
fruit
fuel
furniture

game
garden
gate
geese
ghost
giants
giraffe
girl
girls
glass
glove
glue
goat
gold
goldfish
good-bye
goose
government
governor
grade
grain
grandfather
grandmother
grape
grass
grip
ground
group
growth
guide
guitar
gun

hair
haircut
hall
hammer
hand
hands
harbor
harmony
hat
hate
head
health
hearing
heart
heat
help
hen
hill
history
hobbies
hole
holiday
home
honey
hook
hope
horn
horse
horses
hose
hospital
hot
hour
house
houses
humor
hydrant

ice
icicle
idea
impulse
income
increase
industry
ink
insect
instrument
insurance
interest
invention
iron
island

jail
jam
jar
jeans
jelly
jellyfish
jewel
join
joke
journey
judge
juice
jump

kettle
key
kick
kiss
kite
kitten
kittens
kitty
knee
knife
knot
knowledge

laborer
lace
ladybug
lake
lamp
land
language
laugh
lawyer
lead
leaf
learning
leather
leg
legs
letter
letters
lettuce
level
library
lift
light
limit
line
linen
lip
liquid
list
lizards
loaf
lock
locket
look
loss
love
low
lumber
lunch
lunchroom

machine
magic
maid
mailbox
man
manager
map
marble
mark
market
mask
mass
match
meal
measure
meat
meeting
memory
men
metal
mice
middle
milk
mind
mine
minister
mint
minute
mist
mitten
mom
money
monkey
month
moon
morning
mother
motion
mountain
mouth
move
muscle
music

nail
name
nation
neck
need
needle
nerve
nest
net
news
night
noise
north
nose
note
notebook
number
nut

oatmeal
observation
ocean
offer
office
oil
operation
opinion
orange
oranges
order
organization
ornament
oven
owl
owner
page

pail
pain
paint
pan
pancake
paper
parcel
parent
park
part
partner
party
passenger
paste
patch
payment
peace
pear
pen
pencil
person
pest
pet
pets
pickle
picture
pie
pies
pig
pigs
pin
pipe
pizzas
place
plane
planes
plant
plantation
plants
plastic
plate
play
playground
pleasure
plot
plough
pocket
point
poison
police
polish
pollution
popcorn
porter
position
pot
potato
powder
power
price
print
prison
process
produce
profit
property
prose
protest
pull
pump
punishment
purpose
push

quarter
quartz
queen
question
quicksand
quiet
quill
quilt
quince
quiver

rabbit
rabbits
rail
railway
rain
rainstorm
rake
range
rat
rate
ray
reaction
reading
reason
receipt
recess
record
regret
relation
religion
representative
request
rest
reward
rhythm
rice
riddle
rifle
ring
rings
river
road
robin
rock
rod
roll
roof
room
root
rose
route
rub
rule
run

sack
sail
salt
sand
scale
scarecrow
scarf
scene
scent
school
science
scissors
screw
sea
seashore
seat
secretary
seed
selection
self
sense
servant
shade
shake
shame
shape
sheep
sheet
shelf
ship
shirt
shock
shoe
shoes
shop
show
side
sidewalk
sign
silk
silver
sink
sister
sisters
size
skate
skin
skirt
sky
slave
sleep
sleet
slip
slope
smash
smell
smile
smoke
snail
snails
snake
snakes
sneeze
snow
soap
society
sock
soda
sofa
son
song
songs
sort
sound
soup
space
spade
spark
spiders
sponge
spoon
spot
spring
spy
square
squirrel
stage
stamp
star
start
statement
station
steam
steel
stem
step
stew
stick
sticks
stitch
stocking
stomach
stone
stop
store
story
stove
stranger
straw
stream
street
stretch
string
structure
substance
sugar
suggestion
suit
summer
sun
support
surprise
sweater
swim
swing
system

table
tail
talk
tank
taste
tax
teaching
team
teeth
temper
tendency
tent
territory
test
texture
theory
thing
things
thought
thread
thrill
throat
throne
thumb
thunder
ticket
tiger
time
tin
title
toad
toe
toes
tomatoes
tongue
tooth
toothbrush
toothpaste
top
touch
town
toy
toys
trade
trail
trees
trick
trip
trouble
trousers
truck
trucks
tub
turkey
turn
twig
twist
train
trains
tramp
transport
tray
treatment
tree

umbrella
uncle
underwear
unit
use

vacation
value
van
vase
vegetable
veil
vein
verse
vessel
vest
view
visitor
voice
volcano
volleyball
voyage

walk
wall
war
wash
waste
watch
water
wave
waves
wax
way
wealth
weather
week
weight
wheel
whip
whistle
wilderness
wind
window
wine
wing
winter
wire
wish
woman
women
wood
wool
word
work
worm
wound
wren
wrench
wrist
writer
writing

yak
yam
yard
yarn
year
yoke

zebra
zephyr
zinc
zipper
zoo

Listening Skills

The "Listening Skills" course details how to form and manage a small group where the focus of the work is the development of listening skills.  The central assumption is that just as with every other skill people seek to acquire, some people are great and others find it very difficult, with most people falling somewhere in between.  The approach taken is very much along the lines of we all find some things difficult and need extra help to learn how to do it.  It's no big deal.  The games are fun, yet increasingly demanding.  The intention of the pack is to offer an approach with a number of pre-planned sessions to get things started.  The facilitator is encouraged to investigate the actual problems the child/children are experiencing in the context they live and study in.  Games will then be generated to address specific difficulties by the group facilitator.

FIND AN ASSESSOR

List Of Adjectives

An adjective's job is to modify a noun or pronoun. They are always near the noun or pronoun they are describing. 

Appearance Adjectives
adorable
beautiful
clean
drab
elegant
fancy
glamorous
handsome
long
magnificent
old-fashioned
plain
quaint
sparkling
ugliest
unsightly
wide-eyed

Colour Adjectives
red
orange
yellow
green
blue
purple
gray
black
white

Condition Adjectives
alive
better
careful
clever
dead
easy
famous
gifted
helpful
important
nexpensive
mushy
odd
powerful
rich
shy
tender
uninterested
vast
wrong.

Bad Feelings Adjectives
angry
bewildered
clumsy
defeated
embarrassed
fierce
grumpy
helpless
itchy
jealous
Lazy
mysterious
nervous
obnoxious
panicky
repulsive
scary
thoughtless
uptight
worried

 

Good Feelings Adjectives
agreeable
brave
calm
delightful
eager
faithful
gentle
happy
jolly
kind
lively
nice
obedient
proud
relieved
silly
thankful
victorious
witty
zealous

Shape Adjectives
broad
chubby
crooked
curved
deep
flat
high
hollow
low
narrow
round
shallow
skinny
square
steep
straight
wide.

Size Adjectives
big
colossal
fat
gigantic
great
huge
immense
large
little
mammoth
massive
miniature
petite
puny
scrawny
short
small
tall
teeny
teeny-tiny
tiny

Sound Adjectives
cooing
deafening
faint
hissing
loud
melodic
noisy
purring
quiet
raspy
screeching
thundering
voiceless
whispering

Time Adjectives
ancient
brief
early
late
fast
long
modern
old
old-fashioned
quick
rapid
short
slow
swift
young

Taste/Touch Adjectives
bitter
delicious
fresh
greasy
juicy
hot
icy
loose
melted
nutritious
prickly
rainy
rotten
salty
sticky
strong
sweet
tart
tasteless
uneven
weak
wet
wooden
yummy

Touch Adjectives
boiling
breeze
broken
bumpy
chilly
cold
cool
creepy
crooked
cuddly
curly
damaged
damp
dirty
dry
dusty
filthy
flaky
fluffy
freezing
hot
warm
wet

Quantity Adjectives
abundant
empty
few
full
heavy
light
many
numerous
substantial
sparse

List Of Prepositions

English speakers use prepositions in both formal and everyday communication. Without them, the English language would sound short and choppy. If you have a child starting grammar lessons, read through the list of prepositions and take a quick refresher class on prepositions.

Prepositions connect nouns, pronouns, and phrases with other words in a sentence. It gives information about location, direction, space, or time. Prepositions are usually part of a phrase because they often have a noun or pronoun after them. Here are two examples of prepositions in sentences.

The dog jumped over the fence. 

 

I will go to the doctor.
 

The main job of prepositions is to create relationships between words. How is the dog related to the fence? It jumped over the fence. How am I related to the doctor? I am going to the doctor
 

Prepositional phrases can also act like adverbs or adjectives. Remember that adverbs describe verbs (actions and being), and adjectives describe nouns and pronouns (ideas, people, places, and things).
 

As an adverb - The children crossed the street with caution.
The prepositional phrase "with caution" describes the way the children crossed the street.
As an adjective - He lives in the house with the red roof.

 

The prepositional phrase "with the red roof" describes the house in a specific way.
 

Children will see prepositions in their early reader books. In Kindergarten and first grade, children are focused on word recognition and reading skills. Basic sentence structure is taught, but it is too early for children that young to learn parts of speech. Below is a list of prepositions new readers can recognize easily:
 
List of Basic Prepositions
as
at
but
by
down
for
from
in
into
like
near
next
of
off
on
onto
out
over
past
plus
minus
since
than
to
up
with

As reading skills develop people will learn the spelling and definitions of more complex words. They are introduced to prepositions and other parts of speech between the second and fourth grade. The following list shows some more advanced prepositions:
 
List of Advanced Prepositions
aboard
about
above
across
after
against
along
around
before
behind
below
beneath
beside
between
beyond
during
except
following
inside
minus
onto
opposite
outside
round
since
through
toward
under
underneath
unlike
until
upon
without

As a students reading skills progress they are exposed to a variety of prepositions. This includes compound words and single words used in complex sentences.

according to
along with
alongside
among
apart from
as for
atop
because of
by means of
concerning
despite
except for
in addition to
in back of
in case of
in front of
in place of
in spite of
instead of
on top of
out of
regarding
throughout
till
up to
via
within
worth

Of course, the English language is full of exceptions. Some prepositions seem to break the rules, yet make sense in everyday language. These are called idioms. A few common examples include the following:

List of Idioms
according to
capable of
familiar with
impatient with
rewarded for
superior to
Prepositions are not always easy to identify in spoken and written language. However, they play a big part in making the English language colorful and interesting. Use this list of prepositions as a quick guide to help your student learn about prepositions. 
List of the Most Common Prepositions
aboard
about
above
absent
across
after
against
along
alongside
amid
amidst
among
anti
around
as
at
atop
before
behind
below
beneath
beside
besides
between
beyond
but
by
concerning
considering
despite
down
during
except
excepting
excluding
following
for
from
in
in front of
inside    
instead of
into
like
mid
minus    

near
next
of
off
on
on top of
onto
opposite
out of
outside
over
past
per
plus
regarding
round    
save
since
than
through
till
times
to
toward
towards
under
underneath
unlike
until
up
upon
versus
via
with
within
without